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Alex Steinweiss (March 24, 1917 in Brooklyn, New York) is a graphic designer.

In 1939, he was the first art director for Columbia Records, where he invented the concept of album covers and cover art;¹ previously, recorded music was sold in plain, undecorated packaging.^{citation needed}

Steinweiss was active in record cover design from its inception in 1939 until 1973, when he semi-retired to devote himself to painting. By his own admission, he has designed roughly 2500 covers.

Steinweiss' career can be divided into roughly five periods. From 1939 to perhaps 1945, he designed all the covers for Columbia. During this period, he developed the entire graphic "language" of album design.

The second period is from 1945 to roughly 1950, during which he was no longer the sole designer for Columbia. He also began designing for other companies. This period is sometimes described as the "First Golden Age" of the album cover.

Steinweiss' signature font, the "Steinweiss scrawl," first appeared in roughly 1947. Steinweiss claims^{citation needed} to have invented the LP cover, which first appeared in 1948.

Starting in around 1950, Steinweiss did the covers and record label for Remington, and began a 20+ year association with both Decca records and London records. Like his earlier periods, most of his early 1950s designs are drawn, for Columbia, RCA, Remington, Decca and London. This is his third period, when he did drawing, lettering, and layout that was often brilliant but perhaps not as memorable as his late 1940s period. It was during this period that he collaborated with Margaret Bourke-White on a memorable series of covers for Columbia.

Starting in the mid-1950s, Steinweiss added photography to his palette. Steinweiss's photographic covers are remarkably distinctive. He utilized strange garish colors, odd lighting, and numerous visual puns and reference points.

He continued to work for Decca and London, and did the entire series of covers (and the logo and label) for the startup Everest label from 1958 until roughly 1960. This was his fourth period, characterized by photography but continuing to use the entire range of tools he had developed.

Steinweiss' final period of record cover design was from 1960 to roughly 1973. He worked for Decca and London. His new developments of the period were in die-cut designs and collage. It is remarkable to realize that the pioneer of record cover design was also a contemporary of Hipgnosis and Roger Dean, and that his covers hold their own against the new developments of the time.

Steinweiss also designed liquor bottles, posters, magazine, pamphlet, book covers and titles for TV shows. He remains semi-active, having designed at least one book cover in the 1980s^{citation needed} and four cd covers for Harmonie Ensemble/New York, Steven Richman,conductor: Stravinsky: Histoire du Soldat, Premieres and Rarities [2001] GRAMMY AWARD NOMINATION Koch International Classics; Copland: Rarities and Premieres [2004] Bridge Records; Symphonic Jazz: Ferde Grofe and George Gershwin in Original Paul Whiteman Orchestra Versions [2006] Bridge Records; Dvorak Day Concert [2001] Dvorak Festival Orchestra of New York, Steven Richman, conductor [2001] Music and Arts

Steinweiss's cover for the original Broadway cast recording of South Pacific (1949) has been in almost continuous use ever since for the 78 rpm set, for the LP, for the 45 rpm set, for various tape formats and for the CD. The only other graphic design in America to be used for so many years is the Coca-Cola bottle.^{citation needed}

In 1942, Steinweiss hired Jim Flora, then a young, unknown illustrator from Cincinnati, to work for Columbia Records in the art department. That launched Flora's 40+ year career as a commercial artist.

He was recently interviewed for a chapter in Sound Unbound: Sampling Digital Music and Culture (The MIT Press, 2008) edited by Paul D. Miller a.k.a. DJ Spooky.

Alex awards

In 2003, CMP Information and the International Recording Media Association created the Alex Awards for Excellence in Entertainment Packaging, which were named in honor of Alex Steinweiss.¹

Sources and further reading

• Alex Steinweiss, Jennifer McKnight-Trontz. For the Record: The Life and Work of Alex Steinweiss ISBN 1-56898-224-0, Princeton Architectural Press; 2000.

• Eric Kohler, In the Groove: Vintage Record Graphics, 1940-1960 (ISBN 0-8118-2121-8) Chronicle Books, San Francisco, 1999.

Substantial material on Steinweiss.

• Heller, Steven; Pomeroy, Karen, Design Literacy: Understanding Graphic Design (ISBN 1-880559-76-5) Watson-Guptill Pubns, NY, 1997. One chapter on Steinweiss.

• Chusid, Irwin. The Mischievous Art of Jim Flora (Fantagraphics Books, 2004); features an interview with Steinweiss

See also

• List of AIGA medalists

External links

• Alex Steinweiss - Profile at The Remington Site
• Art Directors Club biography, portrait and images of work
• California Art Gallery Website with biography and images of work
• A tribute to Columbia Records C-11 (1938), Steinweiss' first record cover

Wikipedia content modification information:

• This page was last modified on 25 November 2008, at 14:29.

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