Portal:Japan/Selected article

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Portal:Japan/Selected article/1

Suzuka International Racing Course
The 1995 Japanese Grand Prix (formally the XXI Fuji Television Japanese Grand Prix) was a Formula One motor race held on October 29, 1995 at the Suzuka Circuit, Suzuka. It was the 16th and penultimate race of the 1995 Formula One season. The race, contested over 53 laps, was won by Michael Schumacher for the Benetton team after starting from pole position. Mika Häkkinen finished second in a McLaren, and Johnny Herbert third in a Benetton. Jean Alesi, driving for Ferrari, started second alongside Schumacher. However, Alesi was forced to serve a 10-second stop-and-go penalty because his car moved forward before the start. Alesi climbed up to second, before retiring on lap 25. Schumacher's rival in the Drivers' Championship, Damon Hill, started fourth amidst pressure from the British media after poor performances at previous races. Hill moved up to second because of Alesi's retirement, but spun off the circuit on lap 40. Schumacher's win was his ninth of the season, matching Nigel Mansell's record for victories in a season that was set in 1992. Benetton were confirmed Constructors' Champions as Williams could not pass Benetton's points total with only one race remaining. Heading into the penultimate race of the season, Benetton driver Michael Schumacher had already won the season's Drivers' Championship, having clinched the title at the previous race, the Pacific Grand Prix. Schumacher led the championship with 92 points; Damon Hill was second with 59 points. A maximum of 20 points were available for the remaining two races, which meant that Hill could not catch Schumacher.
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Portal:Japan/Selected article/2

A U.S. Marine patrol crosses the Matanikau River on Guadalcanal in September 1942
The Actions along the Matanikau in September and October 1942—sometimes referred to as the Second and Third Battles of the Matanikau—were two separate but related engagements among a series of engagements between the United States and Imperial Japanese Navy and Army forces around the Matanikau River on Guadalcanal during the Guadalcanal campaign. These particular engagements, the first taking place between September 23 and 27, and the second between October 6 and 9, were two of the largest and most significant of the Matanikau actions. The Matanikau River area on Guadalcanal included a peninsula called Point Cruz, the village of Kokumbona, and a series of ridges and ravines stretching inland from the coast. Japanese forces used the area to regroup from attacks against U.S. forces on the island, to launch further attacks on the U.S. defenses that guarded the Allied airfield (called Henderson Field) located at Lunga Point on Guadalcanal, as a base to defend against Allied attacks directed at Japanese troop and supply encampments between Point Cruz and Cape Esperance on western Guadalcanal, and as a location for watching and reporting on Allied activity around Henderson Field. In the first action, elements of three U.S. Marine battalions under the command of U.S. Marine Major General Alexander Vandegrift attacked Japanese troop concentrations at several points around the Matanikau River.
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Portal:Japan/Selected article/3

Samurai of the Satsuma clan, fighting for the Imperial side during the Boshin War period.
The Boshin War was a civil war in Japan, fought from 1868 to 1869 between forces of the ruling Tokugawa shogunate and those seeking to return political power to the imperial court. The war found its origins in dissatisfaction among many nobles and young samurai with the shogunate's handling of foreigners following the opening of Japan the prior decade. An alliance of southern samurai and court officials secured the cooperation of the young Emperor Meiji, who declared the abolition of the two and a half century old shogunate. Military movements by imperial forces and partisan violence in Edo led Tokugawa Yoshinobu, the sitting shogun, to launch a military campaign to seize the emperor's court at Kyoto. The military tide rapidly turned in favor of the smaller but relatively modernized imperial faction, and after a series of battles culminating in the surrender of Edo, Yoshinobu personally surrendered. The Tokugawa remnant retreated to northern Honshū and later to Hokkaidō, where they founded the Ezo republic. Defeat at the Battle of Hakodate broke this last holdout and left the imperial rule supreme throughout the whole of Japan, completing the military phase of the Meiji Restoration. Around 120,000 men were mobilized during the conflict, and of these about 3,500 were killed. In the end, the victorious imperial faction abandoned its objective to expel foreigners from Japan and instead adopted a policy of continued modernization with an eye to eventual renegotiation of the Unequal Treaties with the Western powers.
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Portal:Japan/Selected article/4

Comet Hyakutake
Comet Hyakutake is a comet discovered on January 30, 1996, which passed very close to Earth in March of that year. It was dubbed The Great Comet of 1996; its passage near the Earth was one of the closest cometary approaches of the previous 200 years. Hyakutake appeared very bright in the night sky and was widely seen around the world. The comet temporarily upstaged the much anticipated Comet Hale-Bopp, which was approaching the inner solar system at the time. Scientific observations of the comet led to several discoveries. Most surprising to cometary scientists was the first discovery of X-ray emission from a comet, believed to have been caused by ionised solar wind particles interacting with neutral atoms in the coma of the comet. The Ulysses spacecraft unexpectedly crossed the comet's tail at a distance of more than 500 million km from the nucleus, showing that Hyakutake had the longest tail known for a comet. Hyakutake is a long-period comet. Before its most recent passage through the solar system, its orbital period was about 17,000 years, but the gravitational influence of the giant planets has increased this period to 100,000 years. The comet was discovered on January 30, 1996, by Yuji Hyakutake an amateur astronomer from southern Japan. He had been searching for comets for years and had moved to Kagoshima Prefecture partly for the dark skies in nearby rural areas. He was using a powerful set of binoculars with six-inch (152 mm) objective lenses to scan the skies on the night of the discovery.
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Portal:Japan/Selected article/5 Serial Experiments Lain is an anime series directed by Ryutaro Nakamura, original character design by Yoshitoshi ABe, screenplay written by Chiaki J. Konaka, and produced by Yasuyuki Ueda (credited as production 2nd) for Triangle Staff. It was broadcast on TV Tokyo from July to September 1998. A PlayStation game with the same title was released in November 1998 by Pioneer LDC. Lain is influenced by philosophical subjects such as reality, identity, and communication. The series focuses on Lain Iwakura, an adolescent girl living in suburban Japan, and her introduction to the Wired, a global communications network similar to the Internet. Lain lives with her middle class family, which consists of her inexpressive older sister Mika, her cold mother, and her computer-obsessed father. The first ripple on the pond of Lain's lonely life appears when she learns that girls from her school have received an e-mail from Chisa Yomoda, a schoolmate who committed suicide. When Lain receives the message at home, Chisa tells her (in real time) that she is not dead, but has just "abandoned the flesh", and has found God in the Wired. From then on, Lain is bound to a quest which will take her ever deeper into both the network and her own thoughts. The series shows influences from topics such as philosophy, computer history, cyberpunk literature and conspiracy theory, and it was made the subject of several academic articles. English language anime reviewers found it to be "weird" and unusual, but reviews were still generally positive. Producer Ueda said he intended Japanese and American audiences to form conflicting views on the series, but was disappointed in this regard, as the impressions turned out to be similar.

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The modern reconstruction of the Heian Palace Daigokuden in Heian Jingū, Kyoto
The Heian Palace was the original imperial palace of Heian-kyō, the capital of Japan from 794 to 1227. In Japan, this palace is called Daidairi. The palace, which served as the imperial residence and the administrative centre of Japan for most of the Heian Period, was located at the north-central location of the city in accordance with the Chinese models used for the design of the capital. The palace consisted of a large rectangular walled enclosure, which contained several ceremonial and administrative buildings including the government ministries. Inside this enclosure was the separately walled residential compound of the emperor or the Inner Palace. In addition to the emperor's living quarters, the Inner Palace contained the residences of the imperial consorts, as well as certain official and ceremonial buildings more closely linked to the person of the emperor. The original role of the palace was to manifest the centralised government model adopted by Japan from China in the 7th century—the Daijō-kan and its subsidiary Eight Ministries. The palace was designed to provide an appropriate setting for the emperor's residence, the conduct of great affairs of state, and the accompanying ceremonies. While the residential function of the palace continued until the 12th century, the facilities built for grand state ceremonies began to fall into disuse by the 9th century. This was due to both the abandonment of several statutory ceremonies and procedures and the transfer of several remaining ceremonies into the smaller-scale setting of the Inner Palace.
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Divers inspect the wreckage of Ehime Maru off Oahu, November 5, 2001.
The Ehime Maru and USS Greeneville collision was a ship collision between the United States Navy submarine USS Greeneville (SSN-772) and the Japanese fishing training ship Ehime Maru on February 9, 2001, about 9 nautical miles (17 km) off the south coast of Oahu, Hawaii, USA. In a demonstration for some civilian visitors, Greeneville performed an emergency surfacing maneuver. As the submarine surfaced, it struck Ehime Maru, a high-school fishing training ship from Ehime Prefecture, Japan. Within minutes of the collision, Ehime Maru sank. Nine of its crewmembers were killed, including four high school students. Many Japanese, including government officials, were concerned over news that civilians were present in Greeneville's control room at the time of the accident. Some expressed anger because of a perception that the submarine did not try to assist Ehime Maru's survivors and that the submarine's captain, Scott Waddle, did not apologize immediately afterwards. The United States Navy (USN) conducted a public court of inquiry, placed blame on Waddle and other members of Greeneville's crew, and dealt nonjudicial punishment or administrative disciplinary action to the captain and some crew members. In response to requests from the families of Ehime Maru's victims and the government of Japan, the USN raised Ehime Maru from the ocean floor in October 2001 and moved it to shallow water near Oahu. Once there, Navy and Japanese divers located and retrieved the remains of eight of the nine victims from the wreck.
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Typical interior scene in a Manzanar barrack apartment. Note the cloth partition separating one apartment from another, lending a small amount of privacy 30 June 1942
Manzanar is most widely known as the site of one of ten camps where over 110,000 Japanese Americans were imprisoned during World War II. Located at the foot of the Sierra Nevada in California's Owens Valley between the towns of Lone Pine to the south and Independence to the north, it is approximately 230 miles (370 km) northeast of Los Angeles. Manzanar (which means “apple orchard” in Spanish) was identified by the United States National Park Service as the best-preserved of the former camp sites, and was designated the Manzanar National Historic Site. Long before the first prisoners arrived in March 1942, Manzanar was home to Native Americans, who mostly lived in villages near several creeks in the area. Ranchers and miners formally established the town of Manzanar in 1910, but abandoned the town by 1929 after the City of Los Angeles purchased the water rights to virtually the entire area. As different as these groups might seem, they are tied together by the common thread of forced relocation. Since the last prisoners left in 1945, former prisoners and others have worked to protect Manzanar and to establish it as a National Historic Site that preserves and interprets the site for current and future generations. The primary focus is the Japanese American Internment era, as specified in the legislation that created the Manzanar National Historic Site. The site also interprets the town of Manzanar, the ranch days, the settlement by the Owens Valley Paiute, and the role that water played in shaping the history of the Owens Valley.
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Japanese officers and petty officers of the 3rd Kure Special Naval Landing Force that seized Tulagi in May, 1942.
The invasion of Tulagi, on May 3 and May 4, 1942, was part of Operation Mo, the Empire of Japan's strategy in the South Pacific and South West Pacific Area in 1942. The plan called for Imperial Japanese Navy troops to capture Tulagi and nearby islands in the Solomon Islands Protectorate. The occupation of Tulagi by the Japanese was intended to cover the flank of Japanese forces that were advancing on Port Moresby in New Guinea as well as to provide a base for Japanese forces to threaten and interdict the supply and communication routes between the United States and Australia and New Zealand. Without the means to capably resist the Japanese offensive in the Solomons, the British Resident Commissioner of the Solomon Islands protectorate and the few Australian troops assigned to defend Tulagi evacuated the island just before the Japanese forces arrived on May 3. The next day, however, a U.S. aircraft carrier task force enroute to resist the Japanese forces advancing on Port Moresby (that resulted in the Battle of the Coral Sea) struck the Japanese Tulagi landing force in an air attack, destroying or damaging several of the Japanese ships and aircraft involved in the landing operation. Nevertheless, the Japanese troops successfully occupied Tulagi and began the construction of a small naval base. Over the next several months, the Japanese established a naval refueling, communications, and seaplane base on Tulagi and the nearby islets of Gavutu and Tanambogo and, in July 1942, began to build a large airfield on nearby Guadalcanal. The Japanese activities on Tulagi and Guadalcanal were observed by Allied reconnaissance aircraft, as well as by Australian coastwatcher personnel stationed in the area.
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Utagawa Kuniyoshi's portrait of Oiwa.
Yotsuya Kaidan, the story of Oiwa and Iemon, is a tale of betrayal, murder and ghostly revenge. Arguably the most famous Japanese ghost story of all time, it has been adapted for film over 30 times and continues to be an influence on Japanese horror today. Written in 1825 by Tsuruya Nanboku IV as a kabuki play, the original title was Tōkaidō Yotsuya Kaidan. It is now generally shortened, and loosely translates as Ghost Story of Yotsuya. First staged in July of 1825, Yotsuya Kaidan appeared at the Nakamuraza theater as a double-feature with the immensely popular Kanadehon Chushingura. Normally, with a Kabuki double-feature, the first play is staged in its entirety, followed by the second play. However, in the case of Yotsuya Kaidan it was decided to interweave the two dramas, with a full staging on two days: the first day started with Kanadehon Chushingura from Act I to Act VI, followed by Tōkaidō Yotsuya Kaidan from Act I to Act III. The following day started with the Onbo canal scene, followed by Kanadehon Chushingura from Act VII to Act XI, then came Act IV and Act V of Tōkaidō Yotsuya Kaidan to conclude the program. The play was incredibly successful, and forced the producers to schedule extra out-of-season performances to meet demand. The story tapped into people’s fears by bringing the ghosts of Japan out of the temples and aristocrats' mansions and into the home of common people, the exact type of people who were the audience of his theater.
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Takeda Sokaku
Daitō-ryū Aiki-jūjutsu, originally called Daitō-ryū Jujutsu, is a Japanese martial art that first became widely known in the early 20th century under the headmastership of Takeda Sokaku. Takeda had extensive training in several martial arts (including Kashima Shinden Jikishinkage-ryū and sumo) and referred to the style he taught as "Daitō-ryū" (literally, "Great Eastern School"). Although the school's traditions claim to extend back centuries in Japanese history there are no known extant records regarding the ryū before Takeda. Whether he is regarded as the restorer or founder of the art, the known history of Daitō-ryū begins with Takeda Sokaku. The origins of Daitō-ryū maintain a direct lineage extending approximately 900 years, originating with Shinra Saburō Minamoto no Yoshimitsu, who was a Minamoto clan samurai and member of the Seiwa Genji (the branch of the Minamoto family descending from 56th imperial ruler of Japan, Emperor Seiwa). Daitō-ryū takes its name from the mansion that Yoshimitsu lived in as a child, called "Daitō", in Ōmi Province (modern day Shiga Prefecture). According to the legend, Yoshimitsu dissected the corpses of men killed in battle, studying their anatomy for the purpose of learning techniques for joint-locking and vital point striking (kyusho-jitsu).
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Japanese battleship Yamato under attack
Ten-gō sakusen, also known as Ten-ichi-go, was the last major Japanese naval operation in the Pacific Theater of World War II. In April 1945, the Japanese battleship Yamato, the largest battleship in the world, along with nine other Japanese warships, embarked from Japan on a deliberate suicide attack upon Allied forces engaged in the Battle of Okinawa. The Japanese force was attacked, stopped, and almost completely destroyed by United States (U.S.) carrier-borne aircraft before reaching Okinawa. Yamato and five other Japanese warships were sunk. The battle demonstrated U.S. air supremacy in the Pacific theater by this stage in the war and the vulnerability of surface ships without air cover to aerial attack. The battle also exhibited Japan's willingness to sacrifice large numbers of its people in desperate attempts to slow the Allied advance on the Japanese home islands. By early 1945, following the Solomon Islands campaign, the Battle of the Philippine Sea and the Battle of Leyte Gulf, the once formidable Imperial Japanese Navy's Combined Fleet was reduced to just a handful of operational warships and a few remaining aircraft and aircrew. Most of the remaining Japanese warships in the Combined Fleet were stationed at ports in Japan, with most of the large ships at Kure, Hiroshima. With the invasions of Saipan and Iwo Jima, Allied forces began their campaign against the Japanese homeland. As the next step before a planned invasion of the Japanese mainland, Allied forces invaded Okinawa on April 1, 1945.
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Satellite image of Sakurajima volcano
Sakurajima is an active volcano and a former island (now connected to the mainland) of the same name in Kagoshima Prefecture in Kyūshū, Japan. It is a stratovolcano with the summit split into three peaks, Kitadake (northern peak), Nakadake (central peak) and Minamidake (southern peak) which is active now. The surface of the island is about 77 km². Its North Peak is Sakurajima's highest peak, rising to 1,117 metres above sea level. The mountain is located in a part of Kagoshima Bay known as Kinkō Bay. The former island is part of the city of Kagoshima. In 1914, a great eruption occurred, burying the straits with lava, thus connecting the former island to the Osumi Peninsula, so that Sakurajima is no longer an island. The volcanic activity still continues, dropping large amounts of volcanic ash on the surroundings. Earlier eruptions built the white sands highlands in the region. Sakurajima is located in the Aira caldera, formed in an enormous eruption 22,000 years ago. Several hundred cubic kilometres of ash and pumice were ejected, causing the magma chamber underneath the erupting vents to collapse. The resulting caldera is over 20 kilometers across. Tephra fell as far as 1000 km from the volcano. Sakurajima was formed by later activity within the caldera, beginning about 13,000 years ago. It lies about 8 kilometers south of the centre of the caldera. Its first eruption in recorded history occurred in 963 AD. Most of its eruptions are strombolian, affecting only the summit areas, but larger plinian eruptions have occurred in 1471-1476, 1779-1782 and 1914.
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Camp Courtney
The Michael Brown Okinawa assault incident was an attempted indecent assault by U.S. Marine Corps Major Michael Brown on a Filipina bartender, Victoria Nakamine, in Okinawa, Japan on November 2, 2002. The case received extensive attention in the Japanese media, especially on Okinawa, and the crime sparked a public debate over the U.S. military presence in Japan, the fairness of the Japanese legal system, and the practices of the Japanese police. The case involved the Treaty of Mutual Cooperation and Security between the United States and Japan and the U.S.-Japan Status of Forces Agreement, the Status of Forces Agreement (SOFA) between Japan and the United States. On July 8, 2004, after a 19-month trial, Brown was convicted by a Japanese court of attempted indecent assault and destruction of private property and received a one-year suspended prison sentence. Based on this incident and others involving crimes committed by U.S. military personnel in Japan, both countries entered into negotiations aimed at modifying the SOFA in July 2003; however, as of 2007, no changes had been made. Early in the morning of November 2, 2002, a female employee of the Camp Courtney officers' club on Okinawa drove up to the Courtney main gate and reported to base security personnel that a Marine Corps major had just attempted to sexually assault her in her car on a deserted road near the back gate of the base. She stated that during the assault the major threw her mobile phone into the nearby Tengan River.
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Kitsune is the Japanese word for fox. Foxes are a common subject of Japanese folklore. Stories depict them as intelligent beings and as possessing magical abilities that increase with their age and wisdom. Foremost among these is the ability to assume human form. While some folktales speak of kitsune employing this ability to trick others—as foxes in folklore often do—others portray them as faithful guardians, friends, lovers, and wives. Foxes and human beings lived in close proximity in ancient Japan; this companionship gave rise to legends about the creatures. Kitsune have become closely associated with Inari, a Shinto kami or spirit, and serve as his messengers. This role has reinforced the fox's supernatural significance. The more tails a kitsune has—they may have as many as nine—the older, wiser, and more powerful it is. Because of their potential power and influence, some people make offerings to them as to a deity. It is widely agreed that many fox myths in Japan can be traced to China, Korea, or India. Chinese folk tales tell of fox spirits that may have up to nine tails. Many of the earliest surviving stories are recorded in the Konjaku Monogatari, an 11th-century collection of Chinese, Indian, and Japanese narratives. There is debate whether the kitsune myths originated entirely from foreign sources or are in part an indigenous Japanese concept dating as far back as the fifth century BC.
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Native Solomon Islanders guide US 2nd Marine Raiders in pursuit of Japanese forces
Carlson's patrol, also known as The Long Patrol or Carlson's long patrol, was an operation by the 2nd Marine Raider Battalion under the command of Evans Carlson during the Guadalcanal Campaign against the Imperial Japanese Army from November 6 to December 4, 1942. In the operation, the 2nd Raiders attacked forces under the command of Toshinari Shōji, which were escaping from an attempted encirclement in the Koli Point area on Guadalcanal and attempting to rejoin other Japanese army units on the opposite side of the U.S. Lunga perimeter. In a series of small unit engagements over 29 days, the 2nd Raiders killed almost 500 Japanese soldiers while suffering only 16 killed. The raiders also captured a Japanese artillery cannon that was delivering harassing gunfire on Henderson Field, the Allied airfield at Lunga Point on Guadalcanal. On August 7, 1942, Allied forces (primarily US Marines) landed on Guadalcanal, Tulagi, and Florida Islands in the Solomon Islands. Their mission was to deny the Japanese use of the islands as bases for threatening the supply routes between the U.S. and Australia, and to secure the islands as starting points for a campaign to isolate the major Japanese base at Rabaul while also supporting the Allied New Guinea campaign. The landings initiated the six-month-long Guadalcanal Campaign. The Japanese were taken by surprise, and by nightfall on August 8 the 11,000 Allied troops, under the command of Lieutenant General Alexander Vandegrift, secured Tulagi and nearby small islands as well as an airfield under construction at Lunga Point on Guadalcanal.
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Sheet music of Kimi ga Yo
Kimi ga Yo, often translated as "May your reign last forever" is Japan's National Anthem, and is also one of the world's shortest national anthems in current use. The lyrics are based on a Waka poem written in the Heian Period, sung to a melody written in the later Meiji Era. The current melody was chosen in 1880, replacing an unpopular melody composed eleven years earlier. Although Kimi ga Yo has long been Japan's de facto national anthem, it was only legally recognized as such in 1999 with the passing of the Law Concerning the National Flag and Anthem. After its adoption, there was controversy over the performance of the anthem at public school ceremonies. Along with the national flag, Kimi ga Yo was considered to be a symbol of imperialism and militarism in wartime. The lyrics first appeared in a poem anthology, Kokin Wakashū, as an anonymous poem. While anonymous poems were not uncommon at that time, and the author may have been in fact known, the anonymity might be because the author belonged to one of the lower classes. The poem was also included in a lot of anthologies, and in a later period used as a celebration song by people of all walks of life. Unlike the current anthem, the poem began with "Wa ga Kimi wa" ('you, my lord') instead of "Kimi ga Yo wa" ('your reign'). The change of the lyrics occurred during the Kamakura period.
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Ichiro Suzuki
The posting system is a baseball player transfer system currently in effect between Japan's Nippon Professional Baseball (NPB) and the United States' Major League Baseball (MLB). NPB players have never been eligible to be obtained through the traditional means of the Rule 4 Draft, and since there were no set legal rules in place to govern the process, problems arose. The system was implemented for two reasons. First, the NPB players Hideo Nomo and Alfonso Soriano used loopholes to void contracts and leave for the MLB - possibly taking fans with them. Second, NPB player Hideki Irabu had very little negotiating power when it came to his trade deal between NPB and MLB teams. By creating a system that requires MLB teams to pay NPB teams transfer fees while allowing players the power to negotiate their own trade deals, the posting system presumably was meant to solve both problems. As of 2008, twelve Japanese players have been "posted" using the system. Of these, seven were immediately signed to Major League contracts, three were signed to minor league contracts and two were unsuccessful in drawing any MLB interest. The two highest-profile players that have been acquired through the posting system are Ichiro Suzuki and Daisuke Matsuzaka. Respectively, they attracted high bids of $13.125 million and $51.1 million and have enjoyed highly successful careers in the MLB.
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Sadamisaki Lighthouse
Ikata is a small town located in Nishiuwa District, Ehime, Japan. Following a recent merger with the neighboring towns of Misaki and Seto, the town now spans the mountainous Sadamisaki Peninsula, the narrowest peninsula in Japan and the westernmost point on the island of Shikoku. This unique geography has greatly influenced Ikata's growth. On the one hand, it has presented significant challenges to urban development that were not overcome until recently in the town's long history. On the other, the peninsula is what gives the town its beautiful mountain and ocean scenery which, bolstered by significant investments in infrastructure and tourist facilities, has formed the basis for a burgeoning tourism industry. In addition to the beauty of its rugged, natural landscape, Ikata has long been known for fishing and mikan orange farming. In recent years Ikata has also become a hotspot of modern energy production—the Ikata Nuclear Power Plant produces much of Shikoku's electricity, and the town's windy mountains are dotted by dozens of windmills.The Sadamisaki Peninsula area has been inhabited since at least the Jōmon Period (10,000–300 BC), as evidenced by the discovery of stone tools and earthenware pots in the Misaki and Kushi neighborhoods. In 1963 a local man discovered a stone ax dating back to the mid-Yayoi Period (300 BC–250 AD) in his farm plot in the Kawachi neighborhood. Upon further investigation by the Japan Archaeological Society in 1986, the area was recognized as containing the remains of a highland settlement.
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The ensign of the Imperial Japanese Navy and Japan Maritime Self-Defense Force
The Imperial Japanese Navy, also known as the Japanese Navy was the navy of the Empire of Japan from 1869 until 1947, when it was dissolved following Japan's constitutional renunciation of the use of force as a means of settling international disputes. It was the third largest navy in the world by 1920 behind the United States Navy and Royal Navy. It was supported by the Imperial Japanese Navy Air Service for aircraft and airstrike operation from the fleet. It was a major force in the Pacific War. The origins of the Imperial Japanese Navy trace back to early interactions with nations on the Asian continent, beginning in the early medieval period and reaching a peak of activity during the 16th and 17th centuries at a time of cultural exchange with European powers during the Age of Discovery. After two centuries of stagnation during the country's ensuing seclusion policy under the shoguns of the Edo period, Japan's navy was comparatively backward when the country was forced open to trade by American intervention in 1854. This eventually led to the Meiji Restoration. Accompanying the re-ascendance of the Emperor came a period of frantic modernization and industrialization. The navy's history of successes, sometimes against much more powerful foes as in the 1895 Sino-Japanese war and the 1905 Russo-Japanese War, ended in almost complete annihilation during the concluding days of World War II. The IJN was officially dissolved in 1947.
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An aikido throw being practiced
Aikido is a Japanese martial art developed by Morihei Ueshiba as a synthesis of his martial studies, philosophy, and religious beliefs. Aikido is often translated as "the Way of unifying (with) life energy" or as "the Way of harmonious spirit." Ueshiba's goal was to create an art that practitioners could use to defend themselves while also protecting their attacker from injury. Aikido is performed by blending with the motion of the attacker and redirecting the force of the attack rather than opposing it head-on. The aikidōka (aikido practitioner) "leads" the attacker's momentum using entering and turning movements. The techniques are completed with various throws or joint locks. Aikido can be categorized under the general umbrella of grappling arts. Aikido derives mainly from the martial art of Daitō-ryū Aiki-jūjutsu, but began to diverge from it in the late 1920s, partly due to Ueshiba's involvement with the Ōmoto-kyō religion. Ueshiba's early students' documents bear the term aiki-jūjutsu. Many of Ueshiba's senior students have different approaches to aikido, depending on when they studied with him. Today aikido is found all over the world in a number of styles, with broad ranges of interpretation and emphasis. However, they all share techniques learned from Ueshiba and most have concern for the well-being of the attacker. This attitude has been at the core of criticisms of aikido and related arts.
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Otsuya and the Peony Lantern.
Botan Dōrō is a Japanese ghost story that is both romantic and horrific; it involves sex with the dead and the consequences of loving a ghost. It is sometimes known as Kaidan Botan Dōrō, based on the kabuki version of the story. Most commonly translated as Tales of the Peony Lantern, it is one of the most famous kaidan in Japan. Botan Dōrō entered the Japanese psyche in the 1600s, through a translation of a book of Chinese ghost stories called Jian Deng Xin Hua (New Tales Under the Lamplight). The collection was didactic in nature, containing Buddhist moral lessons on karma. On the first night of Obon, a beautiful woman and a young girl holding a peony lantern stroll by the house of the widowed samurai Ogiwara Shinnojo. Ogiwara is instantly smitten with the woman, named Otsuyu, and vows an eternal relationship. From that night onward, the woman and the girl visit at dusk, always leaving before dawn. An elderly neighbor, suspicious of the girl, peeks into his home and finds Ogiwara in bed with a skeleton. Consulting a Buddhist priest, Ogiwara finds that he is in danger unless he can resist the woman, and he places a protection charm on his house. The woman is then unable to enter his house, but calls him from outside. Finally, unable to resist, Ogiwara goes out to greet her, and is led back to her house, a grave in a temple. In the morning, Ogiwara's dead body is found entwined with the woman's skeleton.
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Colonel Sanders statue in front of a KFC in Japan
Curse of the Colonel refers to an urban legend regarding a reputed curse placed on the Japanese Kansai-based Hanshin Tigers baseball team by deceased KFC founder and mascot Colonel Harland Sanders. The curse was said to be placed on the team because of the Colonel's anger over treatment of one of his store-front statues. As is common with sports-related curses, the Curse of the Colonel is used to explain the Japan Championship Series drought that the Hanshin Tigers have had to endure since their first and only victory in the 1985 Japan Championship. The curse is a classic example of a scapegoat. The Hanshin Tigers are located in Kansai, the second largest metropolitan area in Japan. They are considered the eternal underdogs of Nippon Professional Baseball, in opposition to the Yomiuri Giants of Tokyo, who are considered the kings of Japanese baseball. The devoted fans flock to the stadium no matter how badly the Tigers play in the league. Comparisons are often made between the Hanshin Tigers and the Boston Red Sox, who were also said to be under a curse, the Curse of the Bambino, until they won the World Series in 2004. In 1985, much to Japanese people's surprise, the Hanshin Tigers faced the Seibu Lions and took their first and only victory in the Japan Series, largely due to star slugger Randy Bass, a gaijin (foreigner) player for the team.
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Portal:Japan/Selected article/24 The Asama-Sansō incident was a hostage crisis and police siege in a mountain lodge near Karuizawa, Nagano prefecture, Japan that lasted from February 19, 1972 to February 28, 1972. The police rescue operation on the final day of the standoff was the first marathon live broadcast in Japan, lasting 10 hours and 40 minutes. The incident began when five members of the United Red Army (URA), following a bloody purge that left 14 members of the group plus one bystander dead, broke into a holiday lodge below Mount Asama, taking the wife of the lodge-keeper as a hostage. A standoff between police and the URA radicals took place, lasting ten days. The lodge was a natural fortress, solidly constructed of thick concrete on a steep hillside with only one entrance, which, along with their guns, enabled the hostage-takers to keep police at a distance. On February 28, the police stormed the lodge. Two police officers were killed in the assault, but the hostage was rescued and the URA radicals were taken into custody. The incident contributed to a decline in popularity of leftist movements in Japan. Japan's leftist student movement in the 1960s pervaded Japan's universities, and, by late in the decade, had become very factionalized, competitive, and violent. After a series of incidents in which leftist student groups attacked and injured or killed law enforcement officials and the general public, Japan's national police agency cracked down on the student groups, raiding their hideouts and arresting dozens in 1971 and 1972. Attempting to escape from the police, a core group of radicals from the URA retreated to a compound in Gunma Prefecture during the winter of 1972.

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Portal:Japan/Selected article/25

Tsunami wall at Tsu, Japan
A tsunami is a series of waves created when a body of water, such as an ocean, is rapidly displaced. Earthquakes, mass movements above or below water, some volcanic eruptions and other underwater explosions, landslides, underwater earthquakes, large asteroid impacts and testing with nuclear weapons at sea all have the potential to generate a tsunami. The effects of a tsunami can be devastating due to the immense volumes of water and energy involved. Since meteorites are small, they will not generate a tsunami. The Greek historian Thucydides was the first to relate tsunamis to submarine quakes, but understanding of the nature of tsunamis remained slim until the 20th century and is the subject of ongoing research. Many early geological, geographic, oceanographic etc; texts refer to "Seismic sea waves"—these are now referred to as "tsunami." Some meteorological storm conditions - deep depressions causing cyclones, hurricanes; can generate a storm surge which can be several metres above normal tide levels. This is due to the low atmospheric pressure within the centre of the depression. As these storm surges come ashore the surge can resemble a tsunami, inundating vast areas of land. These are not tsunami. Such a storm surge inundated Burma (Myanmar) in May 2008.
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Portal:Japan/Selected article/26

The Charter Oath as officially published
The Charter Oath was promulgated at the enthronement of Emperor Meiji of Japan on April 7, 1868. The Oath outlined the main aims and the course of action to be followed during Emperor Meiji's reign, setting the legal stage for Japan's modernization. It remained influential, if less for governing than inspiring, throughout the Meiji era and into the twentieth century, and can be considered the first constitution of modern Japan. The first draft of the Oath was written by junior councilor Yuri Kimimasa in January 1868, containing progressive language that spoke to the frustrations that the radical but modestly born Meiji leaders had experienced in "service to hereditary incompetents." Yuri's language was moderated by his colleague Fukuoka Takachika in February to be "less alarming," and Kido Takayoshi prepared the final form of the Oath, employing "language broad enough to embrace both readings." The Oath was read aloud by Sanjo Sanetomi in the main ceremonial hall of the Kyoto Imperial Palace in the presence of the Emperor and more than 400 officials. After the reading, the nobles and daimyo present signed their names to a document praising the Oath, and swearing to do their utmost to uphold and implement it. Those not able to attend the formal reading afterward visited the palace to sign their names, bringing the total number of signatures to 767.
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Portal:Japan/Selected article/27 Ran is a 1985 film written and directed by Japanese filmmaker Akira Kurosawa. It is a jidaigeki (Japanese period drama) depicting the fall of Hidetora Ichimonji (Tatsuya Nakadai), an aging Sengoku-era warlord who decides to abdicate as ruler in favor of his three sons. The story is based on legends of the daimyo Mori Motonari, as well as on the Shakespearean tragedy King Lear. Ran was Kurosawa's last epic. With a budget of $12 million, it was the most expensive Japanese film ever produced up to that time. Kurosawa directed three other films before he died, but none on so large a scale. The film was hailed for its powerful images and use of color—costume designer Emi Wada won an Academy Award for Costume Design for her work on Ran. The distinctive Gustav Mahler-inspired film score, written by Toru Takemitsu, plays in isolation with ambient sound muted. According to Stephen Prince, Ran is "a relentless chronicle of base lust for power, betrayal of the father by his sons, and pervasive wars and murders that destroy all the main characters." It is a tale about the downfall of the once-powerful Ichimonji clan after its patriarch Hidetora decides to give control of his kingdom up to his three sons: Taro, Jiro, and Saburo. Taro, the eldest, will receive the prestigious First Castle and become leader of the Ichimonji clan, while Jiro and Saburo will be given the Second and Third Castles. Jiro and Saburo are to support Taro, and Hidetora illustrates this by using a bundle of arrows. Hidetora will remain the titular leader and retain the title of Great Lord.

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Portal:Japan/Selected article/28 The Mana series, known in Japan as Seiken Densetsu, is a console role-playing game series from Square Enix, created by Koichi Ishii. The series began as a handheld side story to Square's flagship franchise Final Fantasy, although most Final Fantasy-inspired elements were subsequently dropped, starting with the second installment, Secret of Mana. It has since grown to include games of various genres within the fictional world of Mana, with recurring stories involving a world tree, its associated holy sword, and the fight against forces that would steal their power. Several character designs, creatures, and musical themes reappear frequently. In 2003, the series comprised five games; since 2006, it has experienced a revival through the World of Mana campaign, with five new games released in the span of one year. As of 2008, the Mana series comprises eight console games and two mobile games, in addition to four manga and one novelization. The Mana series reception has been very uneven, with Secret of Mana earning wide acclaim, such as being rated 78th in IGN's yearly "Top 100 Games of All Time", and being highly praised for its musical score, while the games from the World of Mana series have been rated considerably lower. Square trademarked the title Seiken Densetsu: The Emergence of Excalibur in 1987, intending to use it for a game project led by Kazuhiko Aoki for the Famicom Disk System. According to early advertisements, the game would consist of an unprecedented five floppy disks, making it one of the largest titles developed for the Famicom up until that point. Although Square solicited pre-orders for the game, Kaoru Moriyama, a former Square employee, affirms that management canceled the ambitious project before it advanced beyond the early planning stages.

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Portal:Japan/Selected article/29 X Japan is a popular Japanese band founded in 1982 by Toshimitsu "Toshi" Deyama and Yoshiki Hayashi. Originally named X, the group achieved its breakthrough success in 1989 with the release of their second album Blue Blood. They started out as a power/speed metal band and later gravitated towards a progressive sound, at all times retaining an emphasis on ballads. After three more albums, X Japan disbanded in 1997. Besides being one of the first Japanese acts to achieve mainstream success while on an independent label, the group is widely credited for pioneering the visual kei movement, though most of the group's members toned down their on-stage attire in later years. As of 2007, the band has sold over twenty million records and over two million home videos. On June 4, 2007, it was announced the band would reunite with a new song released via digital download in January 2008 and live performances scheduled for March and May. X was founded in 1982 while vocalist Toshi and drummer Yoshiki were attending high school together. The band began to actively perform live in the Tokyo area in 1985, its lineup at that time being completed by a number of changing support musicians. A first single, titled "I'll Kill You" was released on Dada Records in June and in November of the same year, the group contributed the song "Break the Darkness" to the samplers Heavy Metal Force III. To ensure a continuous outlet for the band's publications, Yoshiki founded the independent label Extasy Records in the following year on which a second single, "Orgasm", was released.

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Portal:Japan/Selected article/30 The Japanese language has a highly regular agglutinative verb morphology, with both productive and fixed elements. Typologically, its most prominent feature is topic creation: Japanese has prominent topics (although it is possible for topics and subjects to be distinct). Grammatically, Japanese is an SOV dependent-marking language, with verbs always constrained to the sentence-final position, except in some rhetorical and poetic usage. The word order is free as long as the order of dependent-head is maintained among all constituents: the modifier or relative clause precedes the modified noun, the adverb precedes the modified verb, the genitive nominal precedes the possessed nominal, and so forth. Thus, Japanese is a strongly left-branching language; to contrast, Romance languages such as Spanish are strongly right-branching, and Germanic languages such as English are weakly right-branching. Text is composed of sentences, which are in turn composed of phrases, which are its smallest coherent components. Like Chinese and classical Korean, written Japanese does not typically demarcate words with spaces; its agglutinative nature further makes the concept of a word rather different from words in English. Word divisions are informed by semantic cues and a knowledge of phrase structure. Phrases have a single meaning-bearing word, followed by a string of suffixes, auxiliary verbs and particles to modify its meaning and designate its grammatical role.

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Closeup of Gifu skyline
Gifu is a city located in the south-central portion of Gifu Prefecture, Japan, and serves as the prefectural capital. The city has played an important role in Japan's history because of its location in the middle of the country. During the Sengoku period, various warlords, including Oda Nobunaga, used the area as a base in an attempt to unify and control Japan. Gifu continued to flourish even after Japan's unification as both an important shukuba along the Edo period Nakasendō and, later, as one of Japan's fashion centers. Before becoming a modern city, it was part of the former Atsumi District, but it has since been designated a core city by the national government. Located on the alluvial plain of the Nagara River, Gifu has taken advantage of the surrounding natural resources to create both traditional industries (including Mino washi and agriculture) and tourism opportunities like cormorant fishing. Mount Kinka, one of the city's major symbols, is home to a nationally-designated forest and Gifu Castle, a replica of Nobunaga's former castle. Gifu also hosts many festivals and events throughout the year. Two major rail lines connect Gifu to Japan's national and international transportation infrastructure. JR Central's Tōkaidō Main Line runs through the city, connecting it with Nagoya, one of Japan's largest cities, and the surrounding area. The city has a direct train route to Chūbu Centrair International Airport and facilities capable of hosting international events. Gifu has active relationships with six sister cities.
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Portal:Japan/Selected article/32

Flag of Japan
The national flag of Japan is a white flag with a large red disc (representing the rising sun) in the center. The flag's official name in Japanese is Nisshōki but the flag is more commonly known as Hinomaru. The Hinomaru was widely used on military banners in the Sengoku (Warring States) period of the 15th and 16th centuries. During the Meiji Restoration the flag was officially adopted for use as the civil ensign by Proclamation No. 57 on February 27, 1870 (27 January, Meiji 3 in the Japanese calendar). However, the flag was not adopted nationally until August 13, 1999, by the Law Concerning the National Flag and Anthem. Along with the national anthem Kimi ga Yo, the Hinomaru is considered a controversial symbol of the militaristic past of the country. Use of the Hinomaru was also severely restricted during the early years of the American occupation of the country after World War II, although restrictions were later relaxed. Japanese law did not designate any particular flag as the national flag from 1885 until 1999, although the Hinomaru was legally the national flag for the brief period from 1870 until 1885. Despite this, several military banners of Japan are based on the design of the Hinomaru, including the sun-rayed Naval Ensign. The Hinomaru was used as a template to design other Japanese flags for public and private use.
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Portal:Japan/Selected article/33 Branded to Kill is a 1967 Japanese yakuza film directed by Seijun Suzuki and starring Joe Shishido, Koji Nanbara, Annu Mari and Mariko Ogawa. It was a low budget, production line number for the Nikkatsu Company. The story follows Goro Hanada in his life as a contract killer. He falls in love with a woman named Misako, who recruits him for a seemingly impossible mission. When the mission fails, he becomes hunted by the phantom Number One Killer, whose methods threaten his sanity as much as his life. The studio was unhappy with the original script and called in Suzuki to rewrite and direct it at the last minute. Suzuki came up with many of his ideas the night before or on the set while filming, and welcomed ideas from his collaborators. He gave the film a satirical, anarchic and visually eclectic bent which the studio had previously warned him away from. After its release Suzuki was fired for making "movies that make no sense and no money". Suzuki successfully sued Nikkatsu with support from student groups, like-minded filmmakers and the general public and caused a major controversy through the Japanese film industry. Suzuki was blacklisted and did not make another feature film for 10 years but became a counterculture hero. The film drew a strong following which expanded overseas in the 1980s and has established itself as a cult classic. Film critics and enthusiasts now regard it as an absurdist masterpiece. It has been cited as an influence by filmmakers such as Jim Jarmusch, John Woo, Chan-wook Park and Quentin Tarantino. Thirty-four years after Branded to Kill, Suzuki filmed Pistol Opera (2001) with Nikkatsu, a loose sequel to the former. The company has also hosted two major retrospectives spotlighting his career.

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Portal:Japan/Selected article/34

A Japanese western-style toliet with bidet
There are two styles of toilets commonly found in Japan. The oldest type is a simple squat toilet, which is still common in public conveniences. After World War II, modern Western-type flush toilets and urinals became common. The current state of the art for Western-style toilets is the bidet toilet, which, as of 2004, are installed in more than half of Japanese households. In Japan, these bidets are commonly called Washlets, a brand name of Toto Ltd., and include many advanced features rarely seen outside of Asia. Depending on the exact model, these bidets are designed to open the lid when they sense a user nearby, wash the anus or vulva of the user (including a number of pulsating and massaging functions), dry afterwards with warm air, flush automatically and close the lid after use. During the Jōmon period, settlements were built in a horseshoe shape, with a central plaza in the middle and garbage heaps around the settlement. In these garbage heaps, calcified fecal remains of humans or dogs, so called coprolites, were found, indicating that these garbage dumps were also used as toilets. The earliest sewer systems are from the Yayoi period (300 BC to A.D. 250). These systems were used in larger settlements, probably in combination with toilets. A possible ritual site, that may also have been a toilet using flowing water, dating back to the early 3rd century was found in Sakurai, Nara. Another cesspit analyzed by archaeologists in detail was found at the site of the Fujiwara Palace in Kashihara, Nara, the first location of the imperial city from 694 to 710. This toilet was constructed over an open pit similar to an outhouse.
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Portal:Japan/Selected article/35

The Diet of Japan in Tokyo
The National Diet of Japan is Japan's bicameral legislature. It is composed of a lower house, called the House of Representatives, and an upper house, called the House of Councillors. Both houses of the Diet are directly elected under a parallel voting system. In addition to passing laws, the Diet is formally responsible for selecting the Prime Minister. The Diet was first convened as the Imperial Diet in 1889 as a result of adopting the Meiji constitution. The Diet took its current form in 1947 upon the adoption of the postwar constitution and is considered by the Constitution to be the highest organ of state power. The National Diet Building is located in Nagatachō, Chiyoda, Tokyo. The houses of the Diet are elected under a parallel voting system. This means that the seats to be filled in any given election are divided into two groups, each elected by a different method; the main difference between the houses is in the sizes of the two groups and how they are elected. Voters are also asked to cast two votes: one for an individual candidate in a constituency, and one for a party list. Any citizen of Japan at least twenty years of age (the age of majority in Japan) may vote in these elections. Japan's parallel voting system is not to be confused with the Additional Member System used in many other nations. The Constitution of Japan does not specify the number of members of each house of the Diet, the voting system, or the necessary qualifications of those who may vote or be returned in parliamentary elections, thus allowing all of these things to be determined by law. However it does guarantee universal adult suffrage and a secret ballot. It also insists that the electoral law must not discriminate in terms of "race, creed, sex, social status, family origin, education, property or income".
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