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|The Shooting Party|
|Directed by||Alan Bridges|
|Produced by||Geoffrey Reeve|
|Written by||Isabel Colegate (novel)
|Running time||98 minutes|
The Shooting Party is a 1985 British drama film directed by Alan Bridges and based on the book of the same name by Isabel Colegate. The film is set in 1913 and shows the way of life of English aristocrats, gathered for pheasant shooting and general self-indulgence. Their way of life is contrasted with the local rural poor, who serve as 'beaters', driving the game for the aristocrats to shoot. It was entered into the 14th Moscow International Film Festival.
- James Mason as Sir Randolph Nettleby
- Edward Fox as Lord Gilbert Hartlip
- Dorothy Tutin as Lady Minnie Nettleby
- John Gielgud as Cornelius Cardew
- Gordon Jackson as Tom Harker
- Cheryl Campbell as Lady Aline Hartlip
- Robert Hardy as Lord Bob Lilburn
- Aharon Ipalé as Sir Reuben Hergesheimer
- Joris Stuyck as Count Tibor Rakassyi
- Rebecca Saire as Cicely Nettleby
- Sarah Badel as Ida Nettleby
- Rupert Frazer as Lionel Stephens
- Judi Bowker as Lady Olivia Lilburn
- Warren Saire as Marcus Nettleby
- John J. Carney as Jarvis
- Ann Castle as Lady Mildred Stamp
This is the last film appearance by James Mason, who plays Sir Randolph Nettleby, the local landowner who has something of the old values. Edward Fox as Lord Gilbert Hartlip represents the newer types who don't have the same solid beliefs: he gets into a competition over who is the best shot, despite his host's disapproval.
According to the DVD extras documentary, on the very first shot of the very first day of filming, all of the male lead actors, including Paul Scofield who was playing Sir Randolph Nettleby, were to come into shot on a horse-drawn shooting-break driven by the well-known film horse-master George Mossman. However as they turned the first corner, the break-plank that Mossman was standing on broke in two and Mossman was hurled forward and down falling between the sets of wheels, taking the reins with him. He was struck by a horse's hoof and concussed. The horses then shied and broke into a gallop. Rupert Frazer admitted that he was the first to jump off, landing safely, but bruised. Now out of control, the horses turned to the right when confronted by a stone wall causing the shooting-break to roll completely, catapulting the actors into a pile of scaffolding that had been stacked next to the wall. Robert Hardy stood up and realised to his amazement that he was unhurt. He looked across to see Edward Fox stand up, "turn completely green and collapse in a heap". He had broken 5 ribs and his shoulder-blade. He then noticed that Paul Schofield was lying very still on the ground "and I saw that his shin-bone was sticking out through his trousers". As the film takes place in October due to the partridge-shooting season, the filmmakers had to make a choice as to either delay filming for a year, or re-cast. Fortunately James Mason was just finishing filming Doctor Fischer of Geneva for the BBC and the schedule was changed to allow him to take over the part of Sir Randolph Nettleby six weeks later.
The film was reviewed positively by the eminent critic Pauline Kael. "Bridges [as can be seen also in his 1982 film The Return of the Soldier], has a special gift for these evocations of a world seen in a bell jar, and now, with Geoffrey Reeve as producer and Fred Tammes as cinematographer, he has refined his techniques. A late bloomer (he was born in 1927), Bridges goes beyond being pictorial and literary. He sharpens the novel's wry observations on the Edwardian era and at the same time infuses a sensuous sweetness into the material. On television, a novel like The Shooting Party would be a six-part series, full of longueurs. Here, after we've met the key members of the party, the film puts us among actions and conversations going on simultaneously. And as the events become more intense Bridges picks up the pace and tightens the film's emotional hold on us. Actresses such as Cheryl Campbell and Judi Bowker make a stronger impression in their brief screen time than they do in their much longer stints on TV. Cheryl Campbell is at one moment a pert-faced, nosy gossip, and at the next a tantalising sensualist being caressed by her own long, wavy blond hair. It's a quicksilver performance that recalls Joan Greenwood at her most seductive. And Judi Bowker as the guileless Lady Olivia, the wife of thick-headed Lord Lilburn (Robert Hardy), looks at the camera with a direct gaze that makes her seem infinitely beautiful. When the tall, slim young barrister Lionel Stephens (Rupert Frazer), declares his love for her, you think, Of course - how could he look into her clear eyes and not imagine depths of mystery?" 
- "THE SHOOTING PARTY". Memorable TV. Retrieved 2009-08-06. "Elegiac in tone and full of muted browns and greens The Shooting Party captures the period beautifully, showing the class divide which World War One helped to break down some."
- "14th Moscow International Film Festival (1985)". MIFF. Retrieved 2013-02-09.
- Andrew Higson (2003). English Heritage, English Cinema: Costume Drama Since 1980. Oxford University Press. p. 28. ISBN 0-19-925902-X [Amazon-US | Amazon-UK].
- "Obituary: Paul Scofield". BBC News. 2008-03-20.
- Pauline Kael, State of the Art ISBN 0-7145-2869-2 [Amazon-US | Amazon-UK] p.371-372