Welcome to MedLibrary.org. For best results, we recommend beginning with the navigation links at the top of the page, which can guide you through our collection of over 14,000 medication labels and package inserts. For additional information on other topics which are not covered by our database of medications, just enter your topic in the search box below:
|The Way of All Flesh|
|Directed by||Victor Fleming|
|Produced by||Adolph Zukor
Jesse L. Lasky
|Written by||Perley Poore Sheehan (original story)
Lajos Biro (adaptation)
Frederica Sagor (adaptation)
Jules Furthman (scenario)
|Distributed by||Paramount Pictures|
|Release date(s)||June 25, 1927 (NYC)
October 1, 1927 (US)
|Running time||9 reels; 8,486 feet|
The Way of All Flesh (1927) is a drama film directed by Victor Fleming, written by Lajos Biró, Jules Furthman and Julian Johnson from a story by Perley Poore Sheehan. The film is unrelated to Samuel Butler's novel The Way of All Flesh, and is now considered a lost film.
- Emil Jannings - August Schilling
- Belle Bennett - Mrs. Schilling
- Phyllis Haver - The Temptress
- Donald Keith - August, junior
- Fred Kohler - The Tough
- Philippe De Lacy - August, as a child
- Mickey McBan - Evald
- Betsy Ann Hisle = Charlotte
- Carmencita Johnson - Elizabeth
- Gordon Thorpe - Karl
- Jackie Combs - Heinrich
- Dean Harrell -
- Anne Sheridan - (*not to be confused with Ann Sheridan)
- Nancy Drexel -
- Dorothy Kitchen -
- Philip Sleeman - ?
The film is a melodrama starring Emil Jannings, Belle Bennett, and Phyllis Haver. Jannings won the first Academy Award for Best Actor in a Leading Role for his performance in this film and his performance in The Last Command (the only year that acting Oscars were awarded for multiple performances).
No known copies of this film in its entirety are known to survive, making Jannings' the only Academy Award-winning performance with no known copy, or positive or negative elements, of the film in any private collection or film archive. This is one of Victor Fleming's many lost silent films of the 1920s. Star Emil Jannings won Best Actor in 1929 on the basis of two performances in the first year of the Academy Awards (the only time that occurrence happened), one being The Last Command and the other The Way of All Flesh. Only "fragments", essentially scenes or parts of scenes, remain.
In the story, which opens in the early 1900s, Jannings plays August Schiller, a bank clerk in Milwaukee who is happy with both his job and his family. But when bank officials ask him to transport $1,000 in securities to Chicago, he meets a blond seductress on the train, who sees what he is carrying. She flirts with him, convinces him to buy her a bottle of champagne, and takes him to a saloon run by a crook. The next morning he awakes alone in a dilapidated bedroom, without the securities. He finds the woman, and at first pleads with her, then intimidates her to return the stolen securities. He is knocked unconscious by the saloon owner and dragged to a nearby railroad track.
As the crook strips him of everything that might lead to his identification, Schiller recovers consciousness, and in a struggle the crook is thrown into the path of an oncoming train and killed. Schiller flees, and in despair is about to take is own life, when he sees in a newspaper that he is supposedly dead, the crook's mangled body having been identified as Schiller's. The time passes to twenty years later. Schiller is aged and unkempt, employed to pick up trash in a park. He sees his own family go to a cemetery and place a wreath on his grave. Following other scenes in a Christmas snowstorm, Schiller makes his way to his former home, where he sees that the son whom he had taught to play violin is now a successful musician. He walks away, carrying in his pocket a dollar that his son has given him, not recognizing that the old tramp is his father.
In her 1999 autobiography, Frederica Maas claimed that the idea for the movie had been stolen from her and her husband, Ernest Maas. She said the story was based on the life of her husband's father, who had similarly abandoned his family after making horrible mistakes in his personal life. They named the script "Beefsteak Joe" and presented it to Emil Jannings. As a fellow German-American, Ernest had thought Jannings would help them get the script made into a movie. Instead they were shocked to learn that it had been stolen and produced without any credit or remuneration. The fact that it became an award-winning film only aggravated the situation.