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| Yasunori Mitsuda | |
|---|---|
| Born | January 21, 1972 Tokuyama, Yamaguchi Prefecture, Japan |
| Genre(s) | Celtic, jazz |
| Occupation(s) | Composer, musician |
| Instrument(s) | Piano, guitar, bouzouki |
| Years active | 1992–present |
| Label(s) | NTT Publishing DigiCube Scitron |
Yasunori Mitsuda (光田 康典 Mitsuda Yasunori?, born January 21, 1972) is a Japanese video game music composer, sound programmer and musician. He is best known for his work with composing video games such as Chrono Trigger, Chrono Cross, Shadow Hearts, Shadow Hearts: Covenant, Xenogears, Xenosaga Episode I: Der Wille zur Macht, and Mario Party.
Contents |
Biography
Early life
Mitsuda was born in Tokuyama, Japan, and raised in Kumage District.1 He took piano lessons as a child, but he was more interested in sports and never took music seriously. For a while, he wanted to become a professional golfer. He also got interested in PCs at an early age, and he taught himself to program simple songs and games. While in high school, Mitsuda rediscovered music, inspired by Vangelis' Blade Runner and Henry Mancini's The Pink Panther film scores.2
After high school, he moved to Tokyo and attended the Junior College of Music. Despite the school's low prestige, Mitsuda received solid instruction from his professors, most of them practicing musicians who would take Mitsuda to gigs with them to help carry and set up equipment. At the cost of being used for free physical labor, Mitsuda got a first-hand view of the Japanese music world and valuable training both in and out of the classroom.
Veteran Final Fantasy composer Nobuo Uematsu showed Mitsuda an advertisement for an opening in the music department at the software game developer Square (now Square Enix), the same development where he was currently employed. Mitsuda sent a demo which won him an interview at the game studio. Despite the "disastrous" interview (as he describes it), Mitsuda was offered a position on the company's sound team in April 1992.
Career
Although his official job title was "composer", Mitsuda found himself working more as a sound engineer. In 1994, he gave Square's vice president, Hironobu Sakaguchi, an ultimatum: let him compose, or he would quit. Sakaguchi assigned the young musician to the team working on Chrono Trigger. Mitsuda was allowed to compose the majority of the tracks for the game under the watchful eye of Uematsu, in the end arranging fifty-four tracks (Uematsu composing the remaining ten, having Noriko Matsueda assist him with one). Mitsuda revealed in 2004 that Uematsu offered to help him on the soundtrack after he developed a stomach ulcer due to his working so hard.3 Following Chrono Trigger, Mitsuda composed the soundtrack for Front Mission: Gun Hazard, again with Uematsu. According to Uematsu, Mitsuda worked so much that he eventually defecated blood out of stress and physical problems.4
The Chrono Trigger soundtrack proved extremely popular with fans. Mitsuda worked on four more titles for Square, the last being Xenogears in 1998 (he also composed the soundtrack to Xenosaga Episode I: Der Wille zur Macht). He then went freelance, although he continued to work closely with Square Enix on projects such as the Chrono Trigger sequel, Chrono Cross. He has also released non-mainstream-game music, such as his CD Sailing to the World (which includes a selection of music from a little-known game called "The Seventh Seal"). A new acoustic arrangement of the music from Chrono Cross was quoted by Mitsuda as planned for release in 2006, despite it being previously rumored to emerge in July of 2005. However, such an album has yet to be published.5 An artistic collaboration with Masato Kato, creator of the Chrono series, called kiЯitɘ and featuring music, art, and stories, was released on May 18, 2005.
Musical style and influences
Yasunori Mitsuda's music often show Celtic, Indian, Caribbean and East Asian influences. The strong Celtic influences are particularly evident in his soundtrack for Chrono Cross in songs such as "Another Termina" and "Dragon God" as well as in his Xenogears arranged album, Creid. Mitsuda's style is difficult to pigeonhole, however, since he is able to compose music in several different styles depending on the demands of the project. For example, the Chrono Cross track "Chronomantic" sounds Caribbean, while the song "The Great Sneff's Troupe" from that same soundtrack is East Asian in flavor. A number of his other compositions show strong Indian influence, such as the Chrono Trigger tracks "Corridor of Time" and "Schala's Theme" and the Chrono Cross tracks "Time's Grasslands", and "Time's Scar" for example. Mitsuda's music translates well to jazz, as well. The album The Brink of Time consists of several arrangements of his Chrono Trigger soundtrack performed by a live jazz band called Guido.
His music is frequently minimalistic, and he has cited Minimalism as an influence.6 His final battle themes for Chrono Trigger and Xenogears are based on only a few chords each, with the latter containing only two. Mitsuda has always acknowledged popular cinema as a strong influence on his work. This is particularly evident in various battle themes he has written, such as "Gale", which is used in both Radical Dreamers and Chrono Cross. The main theme from Chrono Trigger is another example of Mitsuda's cinematic side. He has cited Maurice Ravel, J.S. Bach, Pyotr Tchaikovsky, Claude Debussy, Robert Schumann, Antonín Dvořák, and Gustav Holst as his favorite classical composers.7
Concerts
His music from Chrono Trigger was performed live by the Tokyo Symphony Orchestra in 1996 at the Orchestral Game Concert in Tokyo, Japan. The first symphonic performance of his music outside of Japan took place in 2005 at the Symphonic Game Music Concert in Leipzig, Germany when music from Chrono Cross was presented. A suite of music from Chrono Trigger and Chrono Cross was a part of the symphonic world-tour with video game music Play! A Video Game Symphony, where Mitsuda was in attendance for the concert's world-premiere in Chicago on May 27, 2006. His suite of Chrono music, comprising "Reminiscence", "Chrono Trigger", "Chrono Cross~Time's Scar", "Frog's Theme", and "To Far Away Times" was performed. Mitsuda has appeared with the Eminence Symphony Orchestra as a special guest.8
Sound designer credits
- Hanjuku Hero: Aa, Sekaiyo Hanjukunare...! (1992)
- Final Fantasy V (1992)
- The 7th Saga (1993)
- Secret of Mana (1993)
- Romancing SaGa 2 (1993)
Discography
Video game soundtracks
- Chrono Trigger Original Sound Version (1995) (with Nobuo Uematsu and Noriko Matsueda)
- Gun Hazard Original Soundtrack (1996) (with Nobuo Uematsu, Junya Nakano, and Masashi Hamauzu)
- Tobal No. 1 Original Sound Track (1996) (with Masashi Hamauzu, Junya Nakano, Yasuhiro Kawami, Kenji Ito, Noriko Matsueda, Ryuji Sasai, and Yoko Shimomura)
- Radical Dreamers: Nusumenai Hōseki (1996)
- Xenogears Original Soundtrack (1998)
- Mario Party (1998)
- Bomberman 64: The Second Attack (1999) (with Yoshitaka Hirota)
- Chrono Cross Original Soundtrack (1999)
- Shadow Hearts Original Soundtrack plus1 (2001) (with Yoshitaka Hirota)
- Legaia Duel Saga Original Soundtrack (2001) (with Hitoshi Sakimoto and Michiru Oshima)
- An cinniùint (2001)
- Xenosaga Original Soundtrack (2002)
- Sailing to the World (2002)
- Shadow Hearts II Original Soundtracks (2003) (with Yoshitaka Hirota, Kenji Ito, and Tomoko Kobayashi)
- Hako no Niwa (2004)
- Deep Labyrinth (2006)
- Luminous Arc (2007) (with Kazumi Mitome, Akari Kaida, and Shota Kageyama)
- ARMODYNE (2007)
- Super Smash Bros. Brawl (2008) (arrangement)
- Soma Bringer (2008)
- Luminous Arc 2: Will (2008) (Sound Producer and Mastering Engineer) (music composed by Yoko Shimomura, Akari Kaida, Yoshino Aoki, Shunsuke Tsuchiya, and ISEPPE)
- Inazuma Eleven (2008)
- World Destruction: Michibikareshi Ishi (2008)
- Arc Rise Fantasia (TBA)
Other works
- Chrono Trigger Arranged Version: The Brink of Time (1995)
- Creid (1998)
- 'Street Fighter Zero 3 Drama Album (1999)
- Biohazard 2 Drama Album: Chiisana Toubousha Sherry (1999)
- Biohazard 2 Drama Album: Ikiteita Onna Spy Ada (1999)
- 2197 (one track titled "Blue Sonnet") (1999)
- Ten Plants 2: Children Songs (one song) (1999)
- Square Vocal Collection (three songs) (2001)
- Kirite (2005)
- Infinite Prophecy ("Infinite Prophecy Main Theme") Original music for a Dreamseed project, first titled "Novabound." The project went on hiatus in 2006. It is now back in full development at Dreamseed under a new name and design, being developed for the Nintendo Wii Internet Channel as an Independent Flash RPG using the WiiCade's Wii API 2.0. Dreamseed's contract with Mitsuda included permission for him to publish the track on his own CD releases only if it was titled "Novabound Main Theme."
- Dark Chronicle Premium Arrange (original arrangement of Track 1, "The Adventure That Never Ends (Rush Theme)")
- Rogue Galaxy Premium Arrange (original arrangement of the first track of the album, "The main theme of Rogue Galaxy") (2006)
- Sailing to the World Piano Score (arranged by Masashi Hamauzu) (2006)
- Luminous Arc (sound producer and composer of a few songs; majority of songs composed by Akari Kaida) (2007)
References
- ^ "Yasunori Mitsuda Profile" (in Japanese). Our Millennial Fair. Retrieved on 2007-12-03.
- ^ "Yasunori Mitsuda :: Biography". Square Enix Music Online. Retrieved on 2008-09-21.
- ^ "Power Up Excerpt". Retrieved on 2007-12-03.
- ^ "Gun Hazard Original Sound Track Liner Notes". Retrieved on 2007-12-03.
- ^ Daiker, Brandon (2006-05-30). ""Play! A Video Game Symphony" Interview with Yasunori Mitsuda". N-Sider. Retrieved on 2006-06-27.
- ^ http://chudahs-corner.com/liners/index.php?catalog=SSCX-10040
- ^ http://palgn.com.au/article.php?id=5478
- ^ "Passion by Eminence Symphony Orchestra Review" (2007-01-13). Retrieved on 2008-10-05.
External links
- (Japanese) Yasunori Mitsuda's home page
- (English) Yasunori Mitsuda's home page
- Yasunori Mitsuda discography at MusicBrainz
- Composer profile at OverClocked ReMix
Wikipedia content modification information:
- This page was last modified on 1 November 2008, at 02:47.
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